Game of thrones reddit11/30/2022 ![]() What happened with Illyrio and his scheming? Why did the iron islands just accept Yara again? What was Edmure doing after the freys were killed? What was Bran warging in during episode 3?ĭid Bran know this was all going to happen? ![]() What happened to the wildling coalition after they went back north? What is the backstory behind Arya's dagger? Why did the NK look different in the Children of the Forest caves in Dragonstone?ĭid the faceless men know Arya was going to leave them? Who was the person that they turned into the NK? Why did the NK turn on the Children of the Forest? Why didn't Bran warn Dany about the ambush by Euron? (Don't even get me started on the logic or the execution of the ambush) What is the impact of Jon's parentage now? What about the letters which Varys allegedly sent out? Why does Jon have to take the black when there's like 0 threat anymore? Why did Brienne leave the north and come south when she pledged to protect Sansa? Why did no one speak out when the North wanted to be independent? (esp. What happened to Arya's "wearing faces" thing? Arya is as strong a candidate to take him out as anyone) or even if it had plenty of 'build up'.Īsk yourself, if Season 8 had featured more 'monumental'/iconic scenes where an unexpected death occurs or something falls apart suddenly, would you have really been content to conclude the series with that knowing it only opens up that much more questions? But people still didn't like it, even if it was supported by the work (e.g. To which a lot of viewers feel shortchanged by that, but then you think about how the main meat of the show was always the sociopolitical story of Westeros and remind yourself that this is an all together more complicated challenge to overcome and the head-fake makes sense. We were built up for seasons that he was the BIG BAD and the FINAL BOSS and the most dire threat Westeros could ever face a. The funny thing is they even did it with the Night King too. But even then, knowing it was on the table as a possibility inherently weakened the shock value a bit when it actually happened. ![]() I think that the burning of King's Landing was every bit as shocking and engaging as the Red Wedding, for instance. You can't replicate this same effect in a finale, really. So who is this story going to be about then? what the heck happens now?" and immediately pitching your attention to everything else trying to pick up the trail and giving you something to latch onto. Season 1 plays like "Ah this Ned Stark fellow seems like a good guy, and he's doggedly trying to uncover a conspiracy and I'm rooting for him and look forward to his adve- oh. But this also only works in the earlier stages of the story exactly because you care to see more about so-and-so and when they're abruptly ended it is a narrative depth charge/slap in the face that simultaneously shocks and excites and then kicks your brain into overdrive thinking about what it means for the future. I think they were all made great because we didn't really expect them and they each contained within them a different shock about how characters who seem to be having everything go their way can just as easily lose, that characters we like and care about can just as easily lose, that characters who seem to understand 'the game' and are clever and capable, can just as easily lose.etc. Seasons 1-7 were the build up though? (mostly Season 7, but our love for the characters developed over time) ![]()
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